Joanna Chatton

Fragments of what would’ve been Piero Natoli latest film before his untimely death.

Mafioso Michele Verrio has both a wife and a long-suffering mistress, Lunetta.

The end of a love story, told in fourteen different styles: from comedy to western, from noir to thriller, silent movie and so on.

No-budget satire on the bleak state of Italian film industry & distribution circa late-’80s-to-early-’90s. Mercurio, a ...