Harun Farocki

At the end of the 1960s the post-war generation began to revolt against their parents. This was a generation disillusioned by anti-communist ...

Only the chosen few know this woman who started working as a secretary for the German Film and Television Academy (DFFB) on 13 February, 1966. ...

Twenty-five years after the death of Holger Meins, filmmaker and former student friend of the deceased, Gerd Conradt takes an in-depth look at ...

Harun Farocki was commissioned by the Lille Museum of Modern Art to produce a video ‘about his work’. His creation was an ...

Using one of the Lumière Brothers’ first films of workers leaving the Factory as his starting point, Farocki provides an insight to changes ...

The revolution is as good as over, but the captain wants to send his crew into one last battle. Before this can happen, however, he is murdered. ...

Farocki’s intriguing and troubling film explores the processes of visual perception and how they affect our understanding of history and society. ...

Portrait of Georg Glaser, who is a writer in the mornings and a blacksmith in the afternoons.

Harun Farocki sits down with Vilém Flusser to discuss the front page of the German tabloid newspaper Bild Zeitung.

A young man, recently arrived in New York from Europe, becomes swept up in a series of events that are beyond his knowledge or control.

This film is at once a self-portrait and an homage to Jean-Marie Straub, Farocki’s role model and former teacher at the Film Academy.

Henry Angst receives a farewell letter that promises an unspeakably cheerful death and calls his previous life into question. As a result, he ...